⨹Ҹҹ ä¾Ã«ìä´éáÊ´§¤ÇÒÁÊÒÁÒöÍѹⴴà´è¹·Ñ駺¹àÇ·ÕáÅШÍà§Ô¹ áÅÐà¢Ò¡çä´é¾ÔÊÙ¨¹ìµÑÇàͧÇèÒà»ç¹Ë¹Öè§ã¹¹Ñ¡áÊ´§ÁÒ¡¤ÇÒÁÊÒÁÒö¢Í§Íѧ¡ÄÉ º¹àÇ·Õ ã¹»Õ¹Õé ä¾Ã«ìä´éÃѺ¡ÒÃàʹͪ×èͪԧÃÒ§ÇÑÅ ÅÍÇìàù«ì âÍÅÔÇÔàÂÃì ÍÇÍÃì´¨Ò¡¡ÒÃáÊ´§¢Í§à¢Òã¹ÅФâͧàÍç´àÇÔÃì´ ÍÑźÕéàÃ×èͧ “The Goat, Or Who is Sylvia?” ¡è͹˹éÒ¹Ñé¹ à¢Òà¤Âä´éÃѺÃÒ§ÇÑÅÍѹ·Ã§à¡ÕÂõԹÕéÁÒáÅéÇã¹ÊҢҹѡáÊ´§¹ÓªÒÂÂÍ´àÂÕèÂÁ¨Ò¡àÃ×èͧ “Hamlet” áÅÐä´éÃѺÃÒ§ÇÑÅ¡ÒÃáÊ´§ÂÍ´àÂÕèÂÁã¹ÁÔÇÊÔ¤ÑŨҡ “Miss Saigon” ·Õèà¢ÒÃѺº·ÇÔÈÇ¡Ã ä¾Ã«ìÂѧä´éÃѺ¡ÒÃàʹͪ×èͪԧÃÒ§ÇÑŨҡÅФÃàÃ×èͧ “The Taming of the Shrew” ·Õè¨Ñ´áÊ´§·Õèà´ÍÐ ÃÍÂÑŠતÊà»ÕÂÃì ¤ÑÁ»Ð¹Õ áÅШҡº·¿Ò¡Ôé¹ã¹ÅФÃÁÔÇÊÔ¤ÑÅàÇʵìà͹´ì»Õ 1995 àÃ×èͧ “Oliver!” 㹵͹·Õèä¾Ã«ìä´éáÊ´§ÅФúÃÍ´àÇÂìàÃ×èͧ “Miss Saigon” à¢Òä´éÃѺÃÒ§ÇÑÅàÍÒàµÍÃì ¤ÃÔµÔ¡Êì à«ÍÃìà¤ÔÅ ÃÒ§ÇÑÅ´ÃÒÁÒ à´Ê¡ìáÅÐÃÒ§ÇÑÅÇÒäõÕé ¤ÅѺ ÍÇÍÃì´ ÊÓËÃѺÅФÃàÇ·Õ·Õèà»ç¹¡ÒÃà»Ô´µÑǤÃÑé§ÊӤѢͧà¢Ò “Comedians” ä¾Ã«ìä´éÃѺÃÒ§ÇÑÅâ·¹Õ ÍÇÍÃì´ÊҢҹѡáÊ´§¹ÓªÒÂÂÍ´àÂÕèÂÁ ä¾Ã«ìÂѧä´éÃѺº·àιÃÕè ÎÔ¡¡Ô¹Êìã¹ÅФÃàÇʵìà͹´ìàÃ×èͧ “My Fair Lady” àÁ×èÍàÃçÇæ ¹Õé ä¾Ã«ìà¾Ô觨ÐàÊÃç¨ÊÔ鹨ҡ¡ÒÃáÊ´§ã¹ÅФÃÁÔÇÊÔ¤ÑźÃÍ´àÇÂìàÃ×èͧ “Dirty Rotten Scoundrels”
´éÒ¹¨Íà§Ô¹ º·ºÒ·¢Í§ä¾Ã«ì¡çËÅÒ¡ËÅÒÂäÁèá¾é¡Ñ¹ â´Â੾ÒÐã¹ÀҾ¹µÃì¢Í§à·ÍÃìÃÕ ¡ÔÅàÅÕÂÁàÃ×èͧ “Brazil” áÅÐ “The Adventures of Baron Munchausen,” ÀҾ¹µÃì¢Í§ÁÒÃìµÔ¹ Ê¡ÍÃìà««ÕàÃ×èͧ “The Age of Innocence,” ÀҾ¹µÃì¢Í§à´ÇÔ´ ÁÒàÁµìàÃ×èͧ “Glengarry Glen Ross,” ÀҾ¹µÃì¢Í§¤ÃÔÊâµà¿ÍÃì áÎÁ»ìµÑ¹àÃ×èͧ “Carrington” («Ö觷ÓãËéà¢Òä´éÃѺÃÒ§ÇÑŹѡáÊ´§ÂÍ´àÂÕèÂÁ¨Ò¡§Ò¹à·È¡ÒÅÀҾ¹µÃìàÁ×ͧ¤Ò¹Êì), ÀҾ¹µÃì¢Í§ÍÅѹ »ÒÃì¤à¡ÍÃìàÃ×èͧ “Evita” («Öè§à¢ÒáÊ´§áÅÐÃéͧà¾Å§ã¹º·Îǹ à»Ã͹), ·ÃÔÅàÅÍÃìà¨ÁÊì ºÍ¹´ìàÃ×èͧ “Tomorrow Never Dies” áÅÐÀҾ¹µÃì¢Í§¨ÍËì¹ á¿Ã§à¡¹äÎàÁÍÃìàÃ×èͧ “Ronin” ÅèÒÊØ´ ä¾Ã«ìä´éáÊ´§ã¹ÀҾ¹µÃì¢Í§àÍÍÃìÇÔ¹ ÇÔ§¤ìàÅÍÃìàÃ×èͧ “De-Lovely,” ÀҾ¹µÃì¢Í§à·ÍÃìÃÕ ¡ÔÅàÅÕÂÁàÃ×èͧ “The Brothers Grimm,” ÀҾ¹µÃì¢Í§à·ÍÃìàù«ì ÁÒÅÔ¤àÃ×èͧ “The New World” áÅÐÀҾ¹µÃì¢Í§¨ÍËì¹ àÍÍÃìÇÔ¹àÃ×èͧ “The Moon and the Stars”
´éÒ¹¨Íá¡éÇ ä¾Ã«ìä´éÃѺ¡ÒÃàʹͪ×èͪԧÃÒ§ÇÑÅàÍçÁÁÕáÅÐÃÒ§ÇÑÅÅÙ¡âÅ¡·Í§¤Ó¨Ò¡¼Å§Ò¹ã¹ “Barbarians at the Gate” ·Ò§àͪºÕâÍáÅÐà¢ÒÂѧä´éáÊ´§ã¹ “Thicker Than Water,” “Great Moments in Aviation,” “Mr. Wroe’s Virgins” áÅÐ “Selling Hitler” ÅèÒÊØ´ à¢Òä´éÃѺº·àªÍÃìÅçͤ âÎÅìÁÊìã¹ “Baker Street Irregulars” áÅÐáÊ´§ã¹«ÕÃÕÊìàÃ×èͧ “HR” |
